The Act
I remember you as God in a fold-out lawn chair.
Clipboard, stopwatch, lemonade at your elbow.
You timed our sprints between goalpost
and grain silo, our cleats punching holes
in the turf like a thousand tiny hooves.
I was fourteen and just wanted to run.
I remember the funhouse contortion
of the canola fields at the end of a race, the sky
a shade between bone and blue.
How my breath sawed like an aerial tumbler,
tumbling. How you watched
my legs in the cooldown.
One time, Cirque du Soleil came to Regina.
You picked me up in your Jeep Wrangler
and drove us to the big top, sat beside me
in the hard plastic chairs, your thigh
against mine while a man on stilts
crossed the stage, an accordion zydeco’d,
and a woman in a leotard the colour of butter
lost her grip on the high trapeze. She swung
for a moment by only one foot, unmoored.
The air smelled of popcorn.
That trapezist had the thinnest muscle line imaginable
from thigh to ankle, like a ripcord.
Your hand closed over my knee. The accordion
blared like a starting gun, on and on.
Later, you drove me home. I don’t know why
no one else on the team was invited, or why
that night you walked me all the way to the door.
All part of the act, you laughed.
I remember your rituals at the end
of each practice, how you spit the last lemon rind
into the grass, slipped on your aviators,
folded closed your lawn chair and stared
straight ahead as you drove away.
I walked home with my legs on fire. I ran
ice baths. Downstairs, Mum ground Nabob
with a sound like applause
or shrapnel. The clouds that year
were unsalted popcorn.
The woman on the trapeze had strobe-white sequins
glued to her cheeks. I remember
because in the flashing lights it appeared
as if her whole face were eyes.
DANIELLE HUBBARD lives in Kelowna, BC, where she works as the CEO of the Okanagan Regional Library. Her poetry has appeared in CV2, Prairie Fire, Grain, and Geist, among other places. When not writing or working, Danielle spends most of her time in swimming pools or on bicycles.