Why God Hates Gordon Hayward
No one can blame him for wanting
to play for the Boston Celtics. I myself
would have played for the Boston Celtics
had I grown up a little differently
and a little taller. Forgive me,
for my father has taught me
that Boston sports teams cannot lose.
That they are touched
by a special god. One who protects
the strong, the fast, and the particularly
lanky--and ferries them to banners hanging
from rafters and giant silver cups
from which grown men drink celebratory beer.
The beer
does not flow freely in Utah, where Hayward
spent seven seasons and ignited a hairstyle
revolution. Not even career-highs or a stint in the All-Star game or
seas of dads donning the pompadour fade could keep
him from leaving the mountains. No one can blame him
for wanting to play for the winningest team in the league.
Every Mormon in the valley was furious.
Even the prophet himself was shaking, pausing
from prayer momentarily to curse out Hayward
in that green jersey.
And it’s as if every Mormon in the valley
spoke directly to God just moments before
his first season opener. Those of us here, between the temple
and the base of the ski slopes,
had seen his veneer begin
to crack. A stumble. A fractured finger.
But nothing like this. Like putting a shoe on the wrong way or
twisting at the knee as some sort of vaudevillian joke.
Some speculated that he may have been struck
by God. That the collective resentful energy
of the most pious basketball fans in the country
was able to fracture a tibia and dislocate an ankle
faster than it takes to offer sacrament on Sunday morning.
Maybe to be consoled by LeBron--a god
in his own right--would take away a tiny bit of the sting
of sitting on the bench for the rest of the season.
What can I say about leaving.
And about leaving something good
for something better. What can I say about punishment
for wanting.
No one can blame him for wanting.
Danielle Susi is the author of the chapbook The Month in Which We Are Born (dancing girl press, 2015). Her writing has appeared in Knee-Jerk Magazine, Hobart, The Rumpus, and elsewhere. Her full-length manuscript A River Always Ends at a Mouth, has been selected as a semi-finalist for both the Lexi Rudnitsky First Book Prize at Persea Books and the Hudson Prize at Black Lawrence Press. She received her MFA in writing from The School of the Art Institute of Chicago. She currently lives and works in Utah. Find her online at daniellesusi.com